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Franz Graf, 2003

The goal of his work was to trace the “silence of older worlds” that open up the experience of “deep concentration and silent meditation” of the medieval monks in their writing room. He creates an ongoing dialogue between the objects found during his exploratory expeditions to the depot as well as in the nooks and crannies of Admont Benedictine Abbey and the painted writings on the wall and the ravens he brought along – as placeholders on the wall.   

 

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(up from 8th Century)
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